Hagen von Tulien

Hagen von Tulien (born in Berlin, Germany) is a contemporary artist and occultist. With about forty years of intense magical theory and practice, he has specialized in creating art as an expression and manifestation of magical states of awareness and its use as an esoteric tool. He is working in a variety of media including pen and ink, paper cut, collage and digital formats. During the 1980s he came in contact with the current of Chaos Magic, which never ceased to attract and fascinate him ever since. Throughout the 1990s Hagen was a key figure in the Chaos-Magical Pact of the Illuminates of Thanateros (I.O.T.), serving as its section head for Germany. Besides Chaos Magic he also devotes his time to the study and practice of many other occult systems, approaches and ways. He also is a Gnostic Bishop of the Ecclesia Gnostica Spiritualis (ordained by Michael Bertiaux), a Master-Initiate of the Fraternitas Saturni (F.S.) and an empowered adept of the Voudon Gnostic Current (member of O.T.O.A./L.C.N.), focused on deeply researching the Gnosis of the Saturnian Continuum and of Esoteric Voudon.

Publications

Featured

The Society for Esoteric Endeavour, Le Baggath-Tjnemour, Hagen von Tulien

Le Baggath-Tjnemour

The Society for Esoteric Endeavour, Le Baggath-Tjnemour, Hagen von Tulien

This graphic grimoire is a manifestation of the Saturn Gnosis as taught by Michael Bertiaux who contributes an Introduction and Afterword, the latter being the record of a séance that was intended to secure the voudon passporté that secures access to the realms articulated in the book.

The Society for Esoteric Endeavour, Le Baggath-Tjnemour, Hagen von Tulien

Scarlet Imprint, At the Crossroads, Peter Grey, Jake Stratton-Kent, Aaron Leitch, Erik K. Lerner, Stephen Grasso, Nicholaj de Mattos Frisvold, Richard Ward, Drac Uber, Ivy Kerrigan, Michael Cecchetelli, Humberto Maggi, Ryan Valentine, Hagen von Tulien, Kyle Fite, ConjureMan Ali, Christopher Bradford, Chad Balthazar, Angela Edwards

At the Crossroads

Scarlet Imprint, At the Crossroads, Peter Grey, Jake Stratton-Kent, Aaron Leitch, Erik K. Lerner, Stephen Grasso, Nicholaj de Mattos Frisvold, Richard Ward, Drac Uber, Ivy Kerrigan, Michael Cecchetelli, Humberto Maggi, Ryan Valentine, Hagen von Tulien, Kyle Fite, ConjureMan Ali, Christopher Bradford, Chad Balthazar, Angela Edwards

At the Crossroads' tells the stories of what happens when the Western Magical Tradition encounters the African Diaspora and Traditional religions, and vice versa. It is a mixing and a magic that speaks of a truly new world emerging.

Scarlet Imprint, At the Crossroads, Peter Grey, Jake Stratton-Kent, Aaron Leitch, Erik K. Lerner, Stephen Grasso, Nicholaj de Mattos Frisvold, Richard Ward, Drac Uber, Ivy Kerrigan, Michael Cecchetelli, Humberto Maggi, Ryan Valentine, Hagen von Tulien, Kyle Fite, ConjureMan Ali, Christopher Bradford, Chad Balthazar, Angela Edwards

Ouroboros Press, Hagen von Tulien, Occult Psaligraphy, Art

Occult Psaligraphy

Ouroboros Press, Hagen von Tulien, Occult Psaligraphy, Art

Amalgamations of eyes, serpents, horns, skulls and other sigillic devices, these scissor-cuts become embodied vessels of power. They assist the practitioner in concentration, may be used in meditation or evocation, or as objects of talismanic effect.

Ouroboros Press, Hagen von Tulien, Occult Psaligraphy, Art

Fulgur Press, David Beth, Craig Williams, Vadge Moore, Hagen von Tulien, Dolorosa, Jonas Sen, Jessica Grote, Roberto Migliussi, Orryelle Defenestrate-Bascule, Shannon Esmerelda, Peter Dyde, Ariock Van de Voorde, M.W. Burson, Marc'Aurelio Pozzi, Alan Kostencic, Zdravko Bozic

Atua

Fulgur Press, David Beth, Craig Williams, Vadge Moore, Hagen von Tulien, Dolorosa, Jonas Sen, Jessica Grote, Roberto Migliussi, Orryelle Defenestrate-Bascule, Shannon Esmerelda, Peter Dyde, Ariock Van de Voorde, M.W. Burson, Marc'Aurelio Pozzi, Alan Kostencic, Zdravko Bozic

ATUA is the public vehicle through which the members of the S.V.G. make selected manifestations of their magico-gnostic research and experience available to an informed audience.